
Lakeside Bird Feeder, Squirrels
Now if I had ambition I’d be
this kung fu squirrel, this lighter one,
this Jackie Chan, scaling stucco
to ledge to chimney to the hovering skid
of the evil whiz kid’s waffling chopper,
perpetual motion my only gear,
my sidekick wacky as this blacker one,
who tries but can’t quite nab his half
of the substantial stash. Their
choreography is manic, their fight scenes
replete with wall-walking, roof leaping,
jumps across gaps and gorges—all
their own improv’d stunts, every feat
a fleeting, one-take opportunity. It’s
those reflexes that make the difference:
when gravity catches their rare missteps
they can spin around an inch-thick span
of diagonal steel or the slippery rim
of a seed-spill dish, always squirming
all four feet first—whereas I’d just drop,
back-ass-down to the unforgiving earth,
my spindly claws and my mangy tail
spread like a shredded chute, a plea
for anyone at all to catch me. So,
I’ll leave these antics to my friends,
for today, the squirrels, until I can find
a way to foil them, deter them from
this wintertime welfare I’ve intended
for the birds, whose more manageable
business will give me the docile pleasure
I’ve been seeking: sitting here in a chair,
swathed in luscious listlessness, slinging
these escape lines toward anywhere I wish.
Field Notes from an Old Chair
Well, they’ve come, these early crews,
though it’s only March, which in Michigan
means maybe warm one day,
the few new tender greens making
sense, then frigid and snow the next four,
the fragile bodies ballooned, all fuzz
but feeding and competing just the same.
Who would’ve ever guessed I’d be happy
anticipating birds? Since I’ve taken up
the old folks’ study of how certain species
seem to like each other, showing up in sync
like the field guides specify, my chair’s
been scribing the inside arc between the feeder
and where I’ll catch a bloody sun going down.
Then, mornings, if I forget, two doves startle me
when I startle them from a window well,
and as if the fearless chickadees and titmice,
jittery finches and nuthatches can read
they trade places on perches all day—
size, I notice, and no doubt character
determining order, amount, duration.
At this point I could’ve written the pages
on juncos or my one song sparrow so far,
plumped and content to peck along the deck beneath.
And that pair of cardinals I’d hoped for?
They’ve set up shop somewhere in the hedgerows
and for now eat together, appearing
to enjoy each other’s company, while above
out back crows crisscross the crisp expanse
between the high bones of dormant trees
and the high ground that runs the dune down
to the loosened shore. Soon hawks will hover,
and when a bloated fish washes up overnight,
luring vultures to join the constant, aimless
gulls, I’ll be amused I’d ever worried
that the birds would never come.
Lakeside Bird Feeder, Wet Snow
Like the trusty railing, the congenial
patio table, the steady deck itself,
and every firm crotch
in every faithful tree, the feeder’s
become a sculpture.
I should have black and white to lace
into the camera to capture
this transubstantiation, this emergence
from the overnight dark and storm,
an aesthetic thing in itself,
dangling like an earring
from the gaunt lobe of a different day—
a white arrow, squirrel-emptied,
aimed straight for the flat sky.
The first little bird to find it, sunup,
can only inquire, perch
and jerk a nervous while,
then quickly move along
in wired hopes the other stops
around the circuit will service
his tiny entitlement, will be
scraped clean and waiting
like a retired guy’s double drive.
By tomorrow I know this wind
and another early thaw
will have de-transmorphed my feeder
to its manufactured purpose,
its slick roof and Plexiglass siding
once again resembling an urbane
enticement to things wild, to some
Nature available outside a backdoor slider.
And I know I’ll have also lost
more impetus for believing
in permanence—except
of the impermanent, its exceptional
knack for nourishing the dazzle
in this everyday desire.
Return to Journal
D.R. James, recently retired from nearly 40 years of teaching college writing, literature, and peace studies, lives, writes, bird-watches, and cycles with his psychotherapist wife in the woods near Saugatuck, Michigan. His latest of ten collections are Mobius Trip and Flip Requiem (Dos Madres Press, 2021, 2020), and his prose and poems have appeared internationally in a wide variety of print and online anthologies and journals.
https://www.amazon.com/author/drjamesauthorpage
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