
Mother Earth Pregnant is the earth and was from the beginning its replenished womb bathes us all in light it is forever birthing bringing forth offspring like the sky once exploded to make room for life. At times we hear its moans of labor, its trembling voice from roaring falls, the naked skin of trees that crack under the weight of time. A work of passion of the earth who always forgives our childish crimes. It is small and gigantic at once, not a star, but an incandescent rock. Though it might feel like magic, her creation is mostly an act of love superseding intelligent design, the grace of artwork and man's climb up above. We tread hurriedly and with no sympathy for its voluptuous body that's nonetheless never vulgar even when it is raped like the times when we scratch through its belly, suck on its blood and cover its sumptuous breasts in concrete and glass. Yet the earth remains pure waiting for the day when its favorite children begin to see her devotion and selflessness in the midst of the abundance of life that seems to have been born for and through her, the smallest of gods. The Sound of the Earth From the blue bellies of ocean floors and vanilla lagoons of visceral calling there comes a sound that sails through the living like a subtle graze of the lover’s hand. It traverses heart-shaped wings and Elfin ears the first entry of the hoe, with a crunch, in the knotty earth, by the eternal man who hears his wife’s prayers every night and the smell of herbs. From the shuffling of semantic sands that become honey, the sound of crystal glassworks like a memory of stars being born, kissing the sea upon the encounter between the eye and the eve. The pounding feet of elephants echo the throbbing lava and magma dressing the earth like a god that’s to be married to the bluebells and gardens of Flora, to the swallows that fall in the zenith of muted feasts. My tears they ran with the force of a mountain river in spring, a deluge to take to the sea my small and frail home just like the clouds gather every time they are called by the trumpets of more mirror and smoke.
Return to Journal
Ioana Cosma is a university lecturer at the Faculty of Letters from the University of Pitesti in Romania. She has a PhD in Comparative Literature from the University of Toronto. She is interested in twentieth-century literature, cinema and philosophy. She has written articles on Modernist aesthetics (the Gradiva series) and Postmodernist art and literature. She is also a writer, and she has published six volumes of poetry, two novels, short stories and a play in Romania, Canada, and The United States. She is the recipient of an academic and creative residency at The Ionian Institute for the Arts and Culture in Kephalonia, Greece.
WordCity Literary Journal is provided free to readers from all around the world, and there is no cost to writers submitting their work. Substantial time and expertise goes into each issue, and if you would like to contribute to those efforts, and the costs associated with maintaining this site, we thank you for your support.
Make a one-time donation
Make a monthly donation
Make a yearly donation
Choose an amount
Or enter a custom amount
Your contribution is appreciated.
Your contribution is appreciated.
Your contribution is appreciated.
DonateDonate monthlyDonate yearly