
Peas on Earth Seedlings greetings, I write in chalk on reusable labels, tuck them in the pots recycled and covered with paper then we walk to our neighbors. My son makes each stop, running up the steep gardens to learn kindness isn’t concrete, it must be grown. Twenty Years After ‘Twenty Years After What?’ asks Jim, bringing an armful of shirts, unsure he wants to keep the hangers – he doesn’t – or the jacket with the ripped sleeve he’s fond of, and gestures for me to pass three books from inside the counter. Before I lift one out from under the glass, I say, ‘It’s all relative,’ and he laughs. Book in hand, he exclaims, ‘War!’ Riffs puns the way the guitarist in the market plays ‘Knockin’ on Heaven’s Door.’ Not sure if it’s the same day the shop sign blew down the street in the hot Nor’ Wester, or when the frame woman shouted at the boy with brown skin but said, ‘No, love,’ to the pākehā kid for doing the same thing, I know for certain this is twenty years too late to be happening still. All over a five-buck bag of donated plastic. One green soldier stands under her, pointing his rifle up her skirt like a war crime, forgotten. Dylan isn’t playing but the man who covers him is interested in records. Jim, hands me his jacket, insisting I find a lady to mend it until I stand up straight and ask, ‘If it’s so special, why don’t you keep it?’ ‘I’ll have these.’ He buys all three volumes, hugs their hard backs to his chest the way a parent maneuvers a child having a tantrum, instructs me to throw his jacket in the bin. A Trip to Twizel You told me I looked like Virginia Woolf this morning. It was as if you had blood between your teeth, because I was happy I had written a poem about Plath. You said you would have had another book out by now if you hadn’t had bad advice. Standing on the deck my ex invited us on a trip to Twizel – room to squeeze a few more in – how he worded it. You pulled a face, started pushing plates in the sink, said, ‘Look at the weather report.’ My ex jumped ship. OK except he took my middle kid. This evening you heard me in the kitchen, made yourself glacier on the rice, stuck to the cooker like the Endurance. I asked about the trip. You denied any knowledge of it, got angry because ‘It’s one of the places I want to go,’ you said: ‘Why didn’t you tell me?’ I reminded you I did but you, tensing, accuse me of not communicating, say you didn’t understand me, never heard me. You said, ‘You should take lessons and learn to speak clearly.’ You turn up the gas. I keep the peace.
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Rachel J Fenton lives in Oamaru in Te Waipounamu, Aotearoa, where she is Curator of Janet Frame House. Her poetry has been published in Magma, The Rialto, Landfall, and anthologies. She is the author of Beerstorming with Charlotte Brontë in New York.
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