Books for Your Christmas Lists!

When Lizzy is forced to move to the Adventist commune of Stillwater, she is sure the end times have begun. She’s not wrong.

Sixteen-year-old Lizzy is trapped, caught between her passion for science and the teachings of her Seventh-day Adventist father and Mennonite mother. But she isn’t the only one with problems: her mother, Marie, is increasingly reliant on prescription medication to recover from a car accident that might – or might not – have been deliberately caused by her husband, Daniel.

In a bid to regain his social standing and self-esteem, Daniel moves the family to an Adventist commune in BC’s Okanagan Valley, where Lizzy meets another recent arrival with secrets of his own. He helps her establish a clandestine connection to the outside world that she hopes will help her curb her tongue and retain her sanity long enough to finish high school, but her plans change when her younger brother, Zach, is threatened. Lizzy and Zach flee to Marie’s childhood home with their reluctant mother in tow. When her father arrives to take his family back to Stillwater, old resentments collide with new, forcing everyone to face a day of judgement.

Circle Tour, Eva Tihanyi’s ninth poetry collection, seeks and celebrates beauty in the face of despondency. Its three sections— (Outer Circle, Inner Circle, Centre—) draw us in as we move from the “outside” world of politics, culture, and art to the “inside” world of relationships with family, friends, and lovers, to the “core” world of the self.

The book begins with a stark announcement of hope: “If you’re reading this, / you’re still here.” It then moves to engagement with (among other things) the pandemic, feminism, and artists such as Marina Abramovic while reinforcing the healing power of Nature throughout our experiences with external, beyond-our-control circumstances. In the more personal second section, Tihanyi writes about loss through death; the continuing influence of her grandmother; the end of one love moving into a new, more profound love; the importance of friends, reminding us that “each day we must be / lucid with mutiny against despair.” The final section focuses on the self—not just the poet’s own but the universal human Self. It confronts the process of aging and its attendant contemplations, and once again reminds us of how Nature and art can help us in our “continuous becoming.”

The poems in Circle Tour invite a sequential reading as the book gathers force as it spirals upward. It takes us on a powerful journey that ends with the ultimate affirmation that leads us full circle to our present moment: “Enough on this day / to be enormously alive.”

Mennonites are often associated with food, both by outsiders and by Mennonites themselves. Eating in abundance, eating together, preserving food, and preparing so-called traditional foods are just some of the connections mentioned in cookbooks, food advertising, memoirs, and everyday food talk. Yet since Mennonites are found around the world – from Europe to Canada to Mexico, from Paraguay to India to the Democratic Republic of the Congo – what can it mean to eat like one?

In Eating Like a Mennonite Marlene Epp finds that the answer depends on the eater: on their ancestral history, current home, gender, socio-economic position, family traditions, and personal tastes. Originating in central Europe in the sixteenth century, Mennonites migrated around the world even as their religious teachings historically emphasized their separateness from others. The idea of Mennonite food became a way of maintaining community identity, even as unfamiliar environments obliged Mennonites to borrow and learn from their neighbours. Looking at Mennonites past and present, Epp shows that foodstuffs (cuisine) and foodways (practices) depend on historical and cultural context. She explores how diets have evolved as a result of migration, settlement, and mission; how food and gender identities relate to both power and fear; how cookbooks and recipes are full of social meaning; how experiences and memories of food scarcity shape identity; and how food is an expression of religious beliefs – as a symbol, in ritual, and in acts of charity.

From zwieback to tamales and from sauerkraut to spring rolls, Eating Like a Mennonite reveals food as a complex ingredient in ethnic, religious, and personal identities, with the ability to create both bonds and boundaries between people.

(M)othering is a universally understood phenomenon that speaks to the act of becoming something unexpected and entirely outside ourselves. And this book is a collection of writing and art about that. 56 contributors illuminate the kind of gritty, body mind soul transformations that only the mothering myth can evoke. Their work will take you to wonder and wildness, kindness, beauty, grief, love.

These writers and artists show us what it means to create, to birth something, to love it, and to suffer loss. They share their truths about being persecuted, fleeing. About trans-generational trauma. Some write of broken women, mothering their mothers and sisters, choosing not to be mothers. Having many mothers. Mothering grown children. Men who want to be mothered. They tackle identity, adoption, abortion, addiction, self-care, sacrifice, nature and nurture, making art, unravelling, invention, loneliness, anger, laughter, and joy. They are queer, Metis, indigenous, French, male, Jewish, Mennonite, descendants of the Blackfoot and the Cree, settlers and immigrants. In unison, they speak about experiences far beyond the pathologizing of the pregnant female body.

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