Among the Trees
What kind of times are these
when a conversation about trees
is almost a crime
because it implies silence
about so many atrocities.
—Bertolt Brecht
You add a teaspoon of honey,
amber and gold, to the headlines you read
and stir until you have an opinion
You pick sides
like I pick a trail through the woods
where I live on the same side as the trees
apples and cherries, rivers of larches,
maples and hemlocks,
woodlands for keeping things quiet
You know the smell of concrete, of rubble
and blood, rebar and death, the stench
of bullets and blades
You’ve been to Beirut and back to the past,
back to Aleppo and the wailing of walls,
back to the future that has come and has gone
You pick sides like I pick the colours of autumn,
amber and gold, the scarlet of maple,
ruby and red like the blood in our veins
You pick sides—green apples or cherries,
half empty or full, your left from your right,
how we should live and who we let die—
as I step into the woods
where the trees are at peace
and I walk among them
Still Life on Blue Parchment
The cracked bell of a yellow pepper
lay scooped and exposed on the counter
the butcher block pitted with innards
I do not care for peppers but I have sufficient
empathy to suffer quietly for any metaphor
that prompts the image of an open wound
I would not care to have my guts spill out
like that, the blade of an empire striking
down the innocent going about
their business in the kitchen, getting dinner
ready, a ratatouille, say, spoiled by the rattle
of gunfire coming through the door
Stripped
I’ve been to hell and back
on my handheld screens.
I’ve stepped on bodies turned
to rubble, concrete, boots
and bullets, turned a corner
and faced destruction, the beast
on the streets the worst
I’ve seen. Is it rude to point
to flaws in the fabric?
Tears in the collar
that cinches the neck?
Some people wear down
quicker than others.
I’ve seen it with my own
how far from home
some people get before
even the rain doesn’t belong
to them anymore.
They lose their hearts.
They’re forced to live
the way they’ll die, stripped
to bits and bad ideas
strewn like body parts,
wars across the screens.
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Antony Di Nardo is an award-winning poet and editor. Born in Montreal, he has a post-graduate degree in English from the University of Toronto and began his writing career as a journalist, publishing and editing a small-town weekly. Forget-Sadness-Grass is his sixth collection and was a CBC Books’ poetry pick for Fall 2022. His previous book, Through Yonder Window Breaks, won the inaugural Don Gutteridge Poetry Prize. His work has been translated into several languages and appears widely in journals and anthologies. He divides his time between Sutton, Quebec and Cobourg, Ontario.
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