Lost Stranger Headphones and earring: a model of youth on one pushing into his fourth decade. Prides his hair, all teased spikes and shave grades, with extensive sideburns that defy his jawline. Perhaps that high-pitched giggle from down the alley is at his expense. He’ll never know, beer and ignorance. Muscle tone, I will give him that. His frame gets away with shirt tucked into tight fit jeans. Now, his foot on the bench, with his groin at head level to his mate; I will never know if this is unintentional or some kind of desperate suggestion. They drink up and disappear, and I have no desire to round the corner, to run and see what might happen next. Consensual You found me bleeding, a wound of childlike wonder cut against the world. I mistook your laceration for a smile, the smoke and mirror of childhood games. Who could imagine a sad child? I dry my tears on your hair and nestle there. Am I to play hide-and-seek with you? Tell me a truth. Shock me. I won’t give in. A Purpose for Ice after Giorgio Morandi's Still Life (1955) Funnels and tunnels robbed of steam, networking into solid block: contention found in uniformity, uniqueness blanketed by fellowship. Vessels landlocked, iced over, time seeing fit to pin their wings down into this grey light of shadows as one might stare at their own mirrored sculpture and witness disbelief in the skull's ageing process. There, you question your own notion of breath, lean helplessly towards an ending.
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Colin Dardis is a poet, editor, and sound artist. His work has been published widely throughout Ireland, the UK and USA, and shortlisted for the Erbacce Prize, Seamus Heaney Award for New Writing, and Over the Edge New Writer of the Year Award, amongst others. Previous collections include Endless Flower (Rancid Idols Productions, 2021) The Dogs of Humanity (Fly on the Wall Press, 2019, shortlisted for Best Poetry Pamphlet, Saboteur Awards 2020), the x of y (Eyewear, 2018), Post-Truth Blues (Locofo Chaps, 2017) and Dōji: A Blunder (Lapwing, 2013). Twitter: @purelypoetry
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