
For Charles Simic Yes, you were here, for what Now seems an unquantifyable idyll In that picnic of horrors Holding forth in the headlines. Only now do I see that trail of Breadcrumbs, artfully arranged To tempt the idle into exploring The maze of your curiosity. Arriving at a semblance of center One sees the all too predictable Mirror, making an elegant mockery Of the verse lovers' vanity, as the Smile of the Buddha creeps up from Behind, waiting to dislodge the Sorrow and the pity. For Karl Jirgens The drizzle has deigned to halt its descending Leaving damp shoes nesting under umbrella. The coffee, with due cause, now cooling, while The rocker yet allows me to recline As I plunge then drift through seaweedy tendrils That obscure as they illuminate The oblique strategies of narrative And its desires, or should I say ambitions, To break open the mind and make room for Such treasures as the intrepid have dragged To drop at your toes, that you might ponder The impenetrable and maybe be admitted To those marvellous denouements that make up The meaning of meaning, while the rest of the crowd Seems satisfied with stories that assume All is conflict and resolution. For Sharon Butala Eternity, my dear, does not "Come closer every day" It surrounds you, as it does Us all, patiently waiting For the penny to drop & The aura to engulf. There is no door to open, Chasm to cross, ritual to absolve, There is only the laying down Of those weary tunes and woes, Wounds that perplex and somehow persist As the light of knowing acknowledges Your surrender to the infinite extending in all directions. For Ferdinand Passoa Lunch invokes digestion, the Book is laid on the table Where it will lie till I Rise from my rest To refresh my interest In its minor revelations Of another poet's life In a distant time and place Where I am but a figment Of the future's imagination, - Indolent, efficient, a foe to be Befriended before the light Goes out and all become apparent
Return to Journal
Gordon Phinn has been writing and publishing in a number of genres and formats since 1975, and through a great deal of change and growth in CanLit. Canada’s literary field has gone from the nationalist birth pangs of ’65 – ’75 to its full blooming of the 80s and 90s, and it is currently coping as well as it can with the immediacy and proliferation of digital exposure and all the financial trials that come with it. Phinn’s own reactions was to open himself to the practices of blogging and videoblogging, and he now considers himself something of an old hand. His Youtube podcast, GordsPoetryShow, has just reached its 78th edition, and his my blog “anotherwordofgord” at WordPress continues to attract subscribers.
Phinn’s book output is split between literary titles, most recently, The Poet Stuart, Bowering and McFadden, and It’s All About Me. His metaphysical expression includes You Are History, The Word of Gord On The Meaning Of Life.
WordCity Literary Journal is provided free to readers from all around the world, and there is no cost to writers submitting their work. Substantial time and expertise goes into each issue, and if you would like to contribute to those efforts, and the costs associated with maintaining this site, we thank you for your support.
Make a one-time donation
Make a monthly donation
Make a yearly donation
Choose an amount
Or enter a custom amount
Your contribution is appreciated.
Your contribution is appreciated.
Your contribution is appreciated.
DonateDonate monthlyDonate yearly